Friday, October 28th 2011 6-11PM
This calm and chilly late October evening, with Halloween's eeriness thick in the air, is a time when we are all a bit truer to ourselves when in disguise. Perhaps fittingly, it is also the Opening Reception of The Future Presence Gallery of Austin Swearengin & Derek Ernster's semi-collaborative effort, 'Strangers to Ourselves'.
Although the exhibit is titled after Timothy D. Wilson's book of the same name, there are intentionally very few clues as to any specific meaning or intent behind the exhibition. On display are some ten pieces, including sculpture, video, photography and painting pieces, each with its own subtle clues as to an overall theme. Ernster and Swearengin, both students at MCAD and from the same hometown of Kansas City, insist there is more than meets the eye. Swearengin states, "(this show)...explores perception as medium, and unconscious effects of optics and architecture on human awareness...the exhibition questions previous understandings of optics and phenomenology in the artistic sphere."
The Future Presence Gallery as a space will definitely feature strongly in this exhibition, as the pieces themselves are rather quite and subdued, and reflect their surroundings quite intensely. It is my opinion that many Minneapolis art enthusiasts, perhaps more used to the graffiti and Pop Art-influenced shows that are so prevalent here, might not immediately favor this rather quiet display. However, the more time spent with these pieces, the more they have to whisper to you. Calling on traditions of Op Art, Assemblage and Appropriation, the pieces begin to connect themselves to each other, and to the space itself. I am also reminded to the work of Richard Tuttle, who at a time when Abstract Expressionism's bravado and massive scale was the national style, created soft and gentle works to combat this arm's race of peacocking. It is possible that many people will not glean a message from this sparse and challenging exhibition, but perhaps in a fast-paced, Google Image-fueled world, the still waters of this show may prove to run deeper.
The Opening Reception will be tonight from 6-11PM, and will run through the December 6th Closing Reception. Private viewings and Gallery Hours will be by appointment, and during upcoming the following upcoming events.
- The FREAKANOMIQUE Music Series Presents Jonathan Delehanty, performing his electronic symphonies PRISMS OPPOSED TO PRUDENCE. Jon Kuder (of Voyager) and Art Business will open. This event will also be the premier of the EON Soundspace, located within the gallery.
- First Monday Movies, a monthly screening of cult, classic and experimental films, will be showing Liquid Sky, alongside the premier of local film-maker Scott Anderson's 'Veritas/Truth'.
As always, this event is made entirely possible through generous support from Pabst Blue Ribbon and l'etoile Magazine
Tuesday, October 11th Bryant Locher's PHARMACOPEIA exhibit will be ending its run at The FUTURE PRESENCE Gallery. To celebrate, and to give those who have not had the pleasure to view this large collection of Locher's colorful work in one place, there will be a small closing party from 7-9PM. Refreshments will be available, and Locher will give those gathered on a small tour of his work.
'Black Door'. 72" x 48". Acrylic Paint on Tinted Canvas on Door Frame. 2011.
The show opened September 30th to a stylish group of art-lovers, artists, musicians and vagrants. Art openings can be strange and wonderful events, and for most of the evening the guests remained a normal if not raucuos group, drinking Pabst Blue Ribbon cans and discussing the intricate paintings and the light displays by Locher, while cool, steely mixes from DJ SOVIET PANDA and members of SOLID GOLD floated through the gallery. But perhaps the strangest event of the evening was one particular art lover, who after a brief glance around the gallery, went directly to the podium at the entrance of the gallery and began to write in the guest book. After a few minutes, those gathered couldn't help but wonder what, and how much, this man was writing. Some twenty minutes later they could think of nothing else. Finally, the gentlemen exited, leaving only the strangest, or most insightful, personal review of an art show I have ever seen. Here it is, verbatim, minus spelling errors corrected.
‘Those capsulated time-packed pellets are working. Keep exploring the possibility of different “kinds” of time. Hints abound. Study the multiple simultaneous-seeming pulses – regular time, seasonal time, watery time, ecstatic time or a kind of star time. You are onto something true here – keep at the research. A big discovery at the tiny, buzzing hummingbird rewired for harder work, rewarding rendezvous, skull spiritual employment will follow.
‘Copper Wire’ very, very nice. ‘Green Pole’ needs a new name. The barometric essence of this figure suggests a capacity to tackle the problem of density. Solved, you will find something truly remarkable about the power of water to remember everywhere water ever was. You open the possibility of redeeming ‘the mother’- releasing the essence of a genuine conscience of its wild wisdom, which is lightyears beyond science. Science will verify what your conscience drives at weaves with the urgency of water and you keep/continue working to release it from the trip of obedience. Encouraging.
Keep going with this. A good channel for you, Bryant. Keep bending it, reverse it, work on opposites that marry-up. A very good go.’
To see the work reviewed here, stop into The FUTURE PRESENCE Gallery Tuesday, October 11th at 7PM.